Erica Gamester: Plato

Art as Imitation: Plato

In the beginning of the chapter, Plato’s concept of “forms” is introduced – which are non-physical and eternal versions of material items. The best way I was able to envision this concept is through Allegory of the Cave from the Republic.  Although his ideas were conveyed through Socrates, Plato describes prisoners who were chained, permanently facing away from the cave entrance. The light from the entrance allowed shadows to cast on the back of the cave. For the entirety of their imprisonment, they had only experienced shadows passing on cave wall. Although they observed silhouettes, they remained uncertain of the truest form of the objects. If the prisoners were unchained and turned around, they would realize the world is not what they initially conceived. Through this metaphor, Plato implies that we are all prisoners who have only perceived the world through its shadows, or imitative form.

Question: Plato claims that artists are imitators – How does he justify this?

In terms of art, Plato denotes artists as imitators. From his perspective, artists are painting, drawing, refashioning a shadow from a shadow and “far removed from the truth” (page 5). Since we only perceive shadows, the true form becomes further clouded through artistic rendering. While some artists consider their work as source of transparency, or perhaps a nuanced perspective, Plato insists that this influence is inappropriate as they utilize emotional appeal, rather than rationality.

Counter-question: If art is deceptive, does that make God deceptive for allowing us to be deceived?

Question: Why does Plato think artists are inferior to crafts people?

In Plato’s previous argumentative point, he states that artists are imitators since they recreate shadows from shadows, appealing to emotion. On the other hand, craftsmen recreate the same items that other crafts people make. This imitation is accepted to Plato because they copy the true form directly, rather than copying an deceptive form.


Counter-question: Would the introduction of modern styled objects (i.e. glass tables and plush chairs from Home Goods) change Plato’s opinion of craftsmen?

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