Erica Gamester: Plato
Art as Imitation: Plato
In the beginning of the chapter, Plato’s concept of “forms”
is introduced – which are non-physical and eternal versions of material items.
The best way I was able to envision this concept is through Allegory of the
Cave from the Republic. Although his ideas were conveyed through
Socrates, Plato describes prisoners who were chained, permanently facing away
from the cave entrance. The light from the entrance allowed shadows to cast on
the back of the cave. For the entirety of their imprisonment, they had only
experienced shadows passing on cave wall. Although they observed silhouettes,
they remained uncertain of the truest form of the objects. If the prisoners
were unchained and turned around, they would realize the world is not what they
initially conceived. Through this metaphor, Plato implies that we are all
prisoners who have only perceived the world through its shadows, or imitative
form.
Question: Plato
claims that artists are imitators – How does he justify this?
In terms of art, Plato denotes artists as imitators. From
his perspective, artists are painting, drawing, refashioning a shadow from a
shadow and “far removed from the truth” (page 5). Since we only perceive shadows,
the true form becomes further clouded through artistic rendering. While some
artists consider their work as source of transparency, or perhaps a nuanced
perspective, Plato insists that this influence is inappropriate as they utilize
emotional appeal, rather than rationality.
Counter-question: If
art is deceptive, does that make God deceptive for allowing us to be deceived?
Question: Why
does Plato think artists are inferior to crafts people?
In Plato’s previous argumentative point, he states that
artists are imitators since they recreate shadows from shadows, appealing to
emotion. On the other hand, craftsmen recreate the same items that other crafts
people make. This imitation is accepted to Plato because they copy the true
form directly, rather than copying an deceptive form.
Counter-question:
Would the introduction of modern styled objects (i.e. glass tables and plush
chairs from Home Goods) change Plato’s opinion of craftsmen?
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