Art as Extremes: Black Mirror

Over Thanksgiving my Grandfather was telling me about a social credit score China uses to control its population. It reminded me of a clip from an episode of Black Mirror a classmate played. I found it (Nosedive) and showed it to my grandfather. It depicts a world where your social status is directly tied to how people rate your social media posts and your interactions. You can even wear contacts that tell you what rank people are on sight. Housing, rental cars, and employment are all determined by your rank. The main character is a woman desperate to bump up her rating who ends up having the worst day possible. The climax is when her sanity just breaks in public.

This world felt too extreme to be real. My grandfather was legitimately uncomfortable with it. We stopped halfway through to eat lunch and he declined to watch the second half because it was too scary for him. What “Nosedive” did was take something to the highest degree and push a concept as far as it would go. Our reality would never reach that point, but it’s useful to explore in fiction. Taking something to an extreme can help us reflect on a subject we normally don’t give focus to. When it’s blown out of proportion the benefits and problems of that something will become abundantly clear. Fiction is the best hypothetical space for playing with, stretching, and exploring our own reality.

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